Tag Archives: Media

Does drinking urine cure joint pains?

Hynd’s Blog reported before on how Uganda’s New Vision asked the question – ‘Is Panadol made from dead people’s brains‘.

Not to be outdone the Daily Monitor – the main rival paper to the New Vision – today asked – ‘Does drinking urine cure joint pains?’

Monitor
After offering a slightly cyptic answer which included the phrase,  “People have eaten cattle hooves for backache” the article does finish with the relieving (geddit) suggestion:

“Please seek medical treatment for your knees instead of contemplating drinking a waste”

Once again, a hat tip for some wonderfully obscure journalism.

Advertisements

Leave a comment

Filed under Health, Media, Uganda

“Rihanna illuminati princess pushing satanic agenda”

After I posted a photo yesterday of the wonderfully obscure ‘Is Panadol made from dead people’s brains?‘ story from Uganda’s New Vision, a few people sent me through bizarre headlines they had seen from around the world.

I thought I would share my favourite of these stories.

This is the impressively odd headline that was tweeted from @TomSavoury from his time in Tanzania:

If anyone can find the text to this article please do contact me, I would love to read it.

Leave a comment

Filed under Media

There is hope yet when the Telegraph publishes an article like this on climate change

My hopes were lifted today when I read this article ripping shreds out of climate change sceptic Sean Thomas in…wait for it…no, not The Guardian, but the Daily Telegraph!

Might this be a game changer? Instead of giving column space to climate change sceptics such as James Delingpole is The Telegraph now looking to publish serious scientists such as Professor of Climate Change Science at the University of East Anglia, Director of the Tyndall Centre for Climate Change Research and PhD holder in oceanography, Corinne Le Quéré?

Can we finally move on from spending our time responding to the delusional few who keep peddling the ‘is global warming man-made?’ debate and start discussing how we are going to limit and mitigate the impact climate change is already having?

Maybe I am being too optimistic, but either way this article in today’s Telegraph by Corinne Le Quéré is an absolute corker and well worth a read.

What if man-made climate change is loading the dice on floods in the UK?

Flooding

Despite what ignorant pundits may have to say on the topic, climate change has raised the risk of flooding in this country

Sean Thomas depicts me in his blog as professing a new type of religion because I speak about climate change and flood risk. His tweet appears to describe me as a “nutter”. Mr Thomas appears to be himself professing ignorance, something I hardly recommend.

I am a physicist of 20 years’ experience, and climate change research is a science, not a faith. That means it is based on observations and on understanding of how the world works. It is the same kind of science that provides the tides, currents and weather forecasts. It’s not perfect science, but science, and knowing the weather, has taken us a long way in making our everyday life a lot more comfortable.

Mr Thomas is ignorant of the fact that heavy precipitation in winter has increased over the past 45 years in all regions of the UK. That’s not just stories told by people based upon their own experience, it is a lot of data collected and analysed all over the UK.

Mr Thomas is ignorant of the fact that that heavy precipitation is an anticipated consequence of a warming climate in wet regions of the world, such as the UK. It is simple physics: the planet warms, water evaporates more, more moisture is available in the atmosphere for individual storms, therefore more heavy precipitation. Storms are made by the weather, but climate change puts more moisture into the atmosphere that makes the rainfall heavier.

As for his ignorance on Arctic melting, Mr Thomas cites one year of data for his claim. The September ice cover has shrunk by 40 per cent in 30 years. When there is no ice, seawater evaporates and loads the atmosphere with moisture, which affects the weather patterns. A look at a map shows that the UK is close to the Arctic, and the possibility that changes in the Arctic might play a role in the weather that we are experiencing in the UK and elsewhere. Mr Thomas takes science and data very lightly.

What is harder to detect is the exact contribution of climate change to extreme weather when it occurs. Bad weather has always been around and “extreme” is a relative term. The techniques required to detect the role of climate change in extreme weather is at an early stage of development, and we don’t yet have the capacity to apply it while weather events occur. If UK science had that capacity then it would help alleviate Mr Thomas’s ignorance over the difference between weather, climate and belief. It would also help put a cost to the risks we are taking by changing the climate.

Mr Thomas refers to the “eerie and echoing syntax” and “the faintly theological tones of the estimable Professor Corinne Le Quéré” – but the only faintly theological tones here are made up by Mr Thomas’ livelihood as a writer of religious fiction. His fatalistic belief that data and independent evidence is of no value, and that climate change is all in the mind of the thousands of scientists specialising in the topic, is ignorant and foolish. While Mr Thomas might believe that it is all in the hand of god, science attributes manmade climate change to man, and coping with and limiting the consequences is in our hands.

If Mr Thomas would like to improve upon his fictional writing, my university, the University of East Anglia, has an esteemed creative writing programme, though he’ll have to do better than this to win a place.

 

1 Comment

Filed under Climate Change, Media

Venue: “Local World, you are to localism what urinal cake is to mountain freshness”

Bristol and Bath’s ‘Venue’ magazine and website, from today onward, is sadly no more. It has been shut down, or, being generous, merged into the big corporate bulk of Local World.

But, in the spirit of true independent journalism, I am pleased to see that they’re at least going down with a fight.

This is their ‘final post’ and is well worth a read:

Dear Local World,

So, here we are then. Friday 29 November 2013. Venue’s last day on Earth. Hours from being swept away as part of what you so dreamily term “the development of the what’s on module.” Sometime in December, we learn, venue.co.uk will re-emerge, like butterfly become grub, as www.bristolpostwhatson.co.uk. Because, heck, nothing answers “Hey, where to find what’s happening in town tonight?” quite so snappily as http://www.bristolpostwhatson.co.uk. Given a firm push, a downhill gradient and a stiff following wind, it just rolls off the tongue.

It may surprise you to learn we don’t necessarily have a problem with you closing the Venue website. Don’t get us wrong, it is curious timing. As you know, the most recent figures for daily page hits are: August – 44,162; September – 48,544; October – 55,824. Nevertheless, the two remaining of our number, working part-time on alternate weeks, would be the first to admit that Venue is a husk of its former self. Frankly, they’ll be glad to be put out of their misery. Where once they were part of a vast team of journalists delivering informed, first-hand comment from every last facet of city life, today our hapless duo struggle to do much more than pass on received opinion and rehash press releases. Naturally, we don’t have to explain this process to you, Local World, but we’re keenly aware that newcomers to the site might look at recent content and wonder at our concern.

We’ll come to that shortly, but, this being an open letter, a brief history lesson for the uninitiated (we’re being tactful here, Local World – we’re all too aware you haven’t got a fucking clue yourselves). Venue magazine began life in 1982, covering Bristol and Bath and surrounds, but swiftly fter 18 proudly independent years it was sold to Bristol United Press, owned by your predecessor, the Northcliffe Newspaper Group. Last year, having suffered death by a thousand cuts and a colourful assortment of full-frontal stabbings, the magazine was closed down. Today, it’s fallen to you, Local World, to apply the coup-de-graceless and bring down the final curtain on 31 years of work.

And hand it all over to the Post.

The Post, which decreed all street art as vandalism for years, and yet today, having so very belatedly recognised which way the wind is blowing, reaches for Banksy with the same onanistic lust the Express reserves for Diana.

We’re not going to claim we ever “championed” Banksy. We never really went in for “championing”. We simply covered everything we considered of value. So we might not have “championed” street art, but we did report t. Always. Even before 1985, the year of Arnolfini’s seminal ‘Graffiti Art’ exhibition, featuring work from the UK’s first wave of can-wielders. One of them was called 3D, or Robert Del Naja. He went on to co-found Massive Attack. We put Massive Attack on the cover before they’d even released a single.

Do you see what we’re driving at here? Have you any idea the number of wonderful bands, and theatre groups, and artists, and voluntary organisations, and filmmakers, and minority groups who had no voice anywhere else, at all, ever, and poets, and DJs, and on, and on, who claim inspiration from something they read in Venue? We make no assertions for the influence of our opinion; we simply did our level best to place a mirror in every last corner of Bristol, no matter how hidden, and allow the city to reflect back on itself.

And you want to hand over that legacy to a paper whose management – not journalists – are the precise equivalent of those radio stations which promise “your better music mix” and then put the same few songs on repeat. Which claim “the best new music” and fail to add “once it has charted and proved its popularity.” You want to hand over that legacy because, to quote from a staff email you neglected to send us, “The existing Venue website has really good functionality with a real blend of music reviews, listings, restaurant reviews etc, etc. This is a fantastic opportunity to grow our digital audience and a great platform to sell advertising on.”

Do you have any idea how much that hurts, Local World? Of course you don’t. You who boast all the cultural hinterland of a freshly discarded wet wipe. (Though you do have history, of course: born earlier this year, the helplessly stumbling result of a merger between Iliffe Media and Northcliffe, with a profit forecast of approximately £30 million – that debt-free dowry from the Daily Mail General Trust was a lovely gift, no? And they absolved you of responsibility for the deficit on that pesky old final salary pension scheme. Ah, Local World! You are to localism what urinal cake is to mountain freshness.)

And now you presume to inherit our work. We were writers, Local World, photographers, not “content providers”. We were bound together not only by our city, but by a love of language, of striking image. Our editors consistently backed our individual judgement and allowed us complete freedom of expression. As a result, Venue inspired a loyalty out of all proportion with the pittance it paid. Local World, we put our very heart and soul into our catalogue of work. And if you think you can now simply walk in and trample on its remains, then you can, with the very greatest lack of respect, fuck the fuck off.

Because we, the undersigned, do hereby assert our full rights under copyright law. It really would be for the best if you were take a moment to visit this page on the Venue website. Sit down, take a deep breath, and pause and reflect on this: “This website and its content is the copyright of the individual authors credited.” Please be assured we did not pull this phrase out of our collective arses, but out of legal statute. And if we perceive so much as a single full-stop, a solitary pixel of our work when your shameless hijacking is unveiled, then you in turn can expect to perceive a court summons. We are, to put it in terms you regularly use but cannot hope to understand, passionate about defending our legacy.

Sincerely,

Robin Askew

Lesley Barnes

Tony Benjamin

Melissa Blease

Anna Britten

Darryl Bullock

Charlotte Butterfield

Jay Chakravorty

Hannah Chapman

Matt Collins

Marc Crewe (deceased)*

Stephen Dalton

Ellen Doherty (deceased)*

Carl Dolan

Rebecca Ewing

Kristen Grayewski

Elfyn Griffith

Tom Hackett

Mike Harley

Steve Henwood

Gareth Jones

Nic Matthews

Tamar Newton

Huw Oliver

Julian Owen

Emma Parkinson

Kid Pensioner

Tom Phillips

Leah Pritchard

Pat Reid

Jo Renshaw

Andrew Rilstone

Stuart Roberts

Anna Rutherford

Mark Simmons

Delia Sparrow

Joe Spurgeon

John Stevens

Campbell Stevenson

Nick Talbot

Lou Trimby

Tom Wainwright

Cris Warren

Ben Welch

Kirsten Williams

Kate Withers

John Christopher Wood

Adam Workman

Steve D Wright

Nicola Yeeles

*Because if there is an afterlife, and we don’t add these enduringly lamented names to our treatise, we’ll never hear the end of it.

1 Comment

Filed under Media